91 results where found for «Ese general»

The Wall (La muralla)

Music piece by:
Nicolás Guillén (lyrics) and Quilapayún (music)
Testimony by:
Domingo Lizama
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, 1973 - 1978
Tags:
« In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
[...]
« I separated from my wife a year after being imprisoned. One time when we were reunited we remembered the songs from the prison, especially 'Tres blancos lirios' and 'Arrorró'. These were terrible times. »
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Fifth Symphony

Music piece by:
Ludwig van Beethoven
Testimony by:
anonymous
Experience in:
Cárcel de Valdivia / Cárcel de Isla Teja, September 1973
Tags:
« I like all classical music, particularly Beethoven and Mozart. I listen to it all day on Radio Esperanza, on the bus I drive. The passengers like it. »
[...]
« I think that perhaps there was a subliminal message behind the use of these works. I see it as a form of intimidation, perhaps because of the dark and dense atmosphere that this music can sometimes have. »
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Let’s Break the Morning (Rompamos la mañana)

Music piece by:
René “Popeye” Cárdenas Eugenin
Testimony by:
María Soledad Ruiz Ovando
Experience in:
Campamento de Prisioneros Isla Dawson, 1973 - 1974
Tags:
« Music was very important for us (my mother Sylvia, my sister Alejandra and myself) while my dad, Daniel Ruiz Oyarzo, 'el Negro Ruiz', was imprisoned during the dictatorship, when Alejandra was seven and I was four. »
[...]
« Many, many years passed by, but this song always remained in our memory. Now adults, and in an event that honoured and recognised Daniel for his contribution to radio and his performances of Pablo Neruda’s poetry, I sat down with my sister to ponder what present we could give him. »
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The Salamander (La salamanca)

Music piece by:
Arturo Dávalos
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« A salamanca is a type of salamander that lives in caves in northern Argentina. By extension, it also represents the cave. In this song, the lyricist turns the salamanca into a place where a coven of witches gathers. »
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National Anthem of Chile

Music piece by:
Eusebio Lillo and Ramón Carnicer
Testimony by:
Sergio Vesely
Experience in:
Campamento de Prisioneros Melinka, Puchuncaví, 1975
Tags:
« The Puchuncaví Prisoners Camp had a daily routine similar to that of military regiments. In a ridiculous ceremony, the flag was raised every morning at dawn and then it was taken down at nightfall. »
[...]
« Sergio Vesely »
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The Rain is Falling (Scende la pioggia)

Music piece by:
The Turtles ('Elenore'), with new lyrics by Gianni Morandi
Testimony by:
Eduardo René Cuevas
Experience in:
Cárcel de Los Ángeles, September 1973
Tags:
« This song was a workhorse for the prisoners. Iván Moscoso sang it, accompanied by a guitar, in a powerful and defiant voice, and the most altruistic among us sung along in the presence of the gendarme guards, in a courtyard that was only for political prisoners. »
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Chacabuco Mass (Misa chacabucana)

Music piece by:
Ángel Parra and Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
Tags:
« This song is the second track on the cassette recorded in the Chacabuco prison camp by the band Los de Chacabuco, formed by Ángel Parra and led by him until his release. At the time that the cassette was recorded, Ángel had already been freed and Ernesto Parra had become the group's conductor. »
[...]
« These songs, as well as those from the Gospel of St Luke and the St John Passion, were performed by Los de Chacabuco in the masses celebrated by the chaplains for the benefit of the prisoners and the military. »
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The Little Fence (La rejita)

Music piece by:
lyrics: collective creation; music: 'Jálame la pitita' by Luis Abanto Morales (Peruvian polka)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We always sang this song when we were taken to Regimiento Arica. That was a torture centre. »
[...]
« This prison had been a children's home before. It was run by the Congregation of Our Lady of Charity of the Good Shepherd. People always said that these were 'good' nuns. I don’t know if that’s the right word. It sticks in my throat that consecrated nuns should be able to accept female political prisoners. »
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What Will the Holy Father Say (Qué dirá el Santo Padre)

Music piece by:
Violeta Parra
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« We sang songs that were popular at the time. We’d sing 'What will the Holy Father say', especially the part that says 'What will the Holy Father who lives in Rome say ... they are slitting the throat of his dove...' quite often, for example when someone was taken off to Regimiento Arica, which was a torture centre. »
[...]
« People always want to listen to these traditional cuecas. Figure of eight, turn around, you necessarily have to dance the cueca like that, it's so rigid and that doesn’t work for me. »
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We Shall Prevail (Venceremos)

Music piece by:
Claudio Iturra (lyrics) and Sergio Ortega (music)
Testimony by:
María Cecilia Marchant Rubilar
Experience in:
Cárcel de Mujeres Buen Pastor, La Serena, September 1973 - January 1974
Tags:
« I was studying to be a chemistry teacher at the University of Chile in La Serena. I was 21 years old when I was arrested. I think I was picked up due to a specific fact. I was regularly sent copies of the El Rebelde newspaper by train, in order to distribute them in parts of Region IV. »
[...]
« Music was always present: we were always walking around with a song in our voice. I think it was the only way to cope a little with prison life. »
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